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C021: Lotus
C022: Mingary
C023: Dirk II
C024: Sceptre
C025: Thendara
C026: Outlaw
C027: Athena
C028: Bettine
C029: John Dory
C030: Swanilda
C031: Marigold
C032: Sally of Kames
C033: Monsoon
C034: Charm of Rhu
C035: Moonspray
C036: Firebrand
C037: Gluckauf
C038: Cereste
C039: Mitzi
C040: Roar for Joy
C041: Zahir
C042: Maria Hendrika
C043: Vivette
C044: Berenice
C045: Huff of Arklow
C046: Fairlight
C047: Iolaire
C048: Sibyl of Cumae
C049: Ilderim
C050: Dorothy
C051: Zaleda
C052: Dione
C053: Clarion of Wight
C054: Safir
C055: Shantih
C056: Eveline
C057: Shuttle
C058: Windflower
C059: Erica
C060: Cygnet of London
C061: St David's Light
C062: Leonie
C063: Tar Baby
C064: Caressa
C065: Tiger C
C066: Barbican
C067: A Day at the Races
C068: Kelpie
C069: Suzalah
C070: Rubicon
C071: Infanta
C072: Rampage
C073: Halcyon
C074: Thalassa
C075: Sinbad
C076: Lutine
C077: Twilight
C078: Alera
C079: Aeolus
C080: Nightfall
C081: Mossie Estelle

 

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St David's Light

 

 

Designer: Illingworth & Primrose
Builder: Souters, Cowes 1963
Rig: Bermudan cutter

LOA: 39ft 6in (12m)
LWL: 27ft 5in (7.3)
Beam: 10ft 3in (3.1m)
Draft: 6ft (1.85m)
Sail No: KB15
Owner: David Orton, Chris Bellamy & Charles Burt

 

St David’s Light was built for De Forest Trimmingham in 1963 as a one off ocean racer. The Trimmingham family owned the largest department store on Bermuda and commissioned several fine yachts over the years. This is why she has a Bermudan sail number. The design by Illingworth and Primrose, who later designed Gypsy Moth IV for Francis Chichester, was optimized for the Bermuda race. The name comes from a lighthouse on Bermuda.

Construction is cold moulded, eight layers of mahogany over rock elm frames, supplemented by laminated mahogany frames. In 1963 the strength of cold moulded hulls was not known and the framing was distinctly over engineered. This feature is shared with another BCYC boat - Outlaw, which had the same designers and construction, and was built alongside St David’s Light at Souters in Cowes. The interior is rather luxurious by modern racing boat standards, being mahogany, inlaid with sycamore.

My wife, Chris, and I first saw the boat on a mooring at Aldeburgh when we were storm bound for two days. Every time we looked out we saw this yacht with stunning lines, totally unaffected by the terrible weather. The next winter we were looking for a new boat, and discovered we were comparing everything we saw with St David’s Light, and finding it wanting. Eventually we found the owner, and made him an offer.

The first season was spent rebuilding the ex London taxi British Leyland diesel back to new specification and replacing the galley.

Subsequent years saw the complete rewiring of the boat, new sail wardrobe from Quantum, the gutting and rebuild of the fore cabin to match the saloon, and the installation of the only fully chromed Baby Blake I have seen. Full Simrad IS15 instruments replaced the original analogue Brooks and Gatehouse.

We raced her in the Classic class at Burnham Week each year, and cruised to France, Holland, Belgium and the South Coast.

Over this period our experience of sailing the boat gave us great confidence in her seaworthiness. Sailing back across the North Sea in the teeth of a force seven did not give her any problems, and another time we saw sixty knots on the wind gauge without grief.

In the spring of 2003 when we had owned the boat eleven years, during fitting out I discovered a shocking condition in the hull. In the early eighties the then owners had sheathed the deck with fibreglass, presumably to reduce maintenance. The edge of the sheathing was not sealed properly however, under the teak toe rail. Over twenty years water had penetrated behind the sheathing, been held against the hull and rotted it from the inside out. The rot affected the entire periphery of the hull along the deck line.

Cold moulded boats require very specific skills to repair. I was not sure that the skills still existed, however I was recommended to take her to Peter Wilson’s Yard at Aldeburgh. Chris and I sailed her up there and moored her to the same buoy on the Alde where we had first been smitten. As we left in the dinghy we did not know that a recovery was possible and the circularity of the experience was saddening.

The decks were removed to expose the problem, and much scratching of heads took place. Eventually we realised that the framing, which I always thought was redundant, would retain the integrity of the boat even if the hull was completely cut away.

Thus the hull was cut down past the damage all the way round the boat to the same level, leaving the beam shelves and the deck beams supported by the frames. Two thin ply planks were bent round the exposed frame as a base, and successive layers of veneer were laminated over, each layer stepped back into the original hull in order that the glued overlaps would regain the integrity.

The transom was removed and renewed. The deck was replaced by new teak on a ply base. It is a tribute to Peter Wilson and his craftsmen that the result was a strong, fair hull with a beautiful swept deck.


 

 

 

 

 

 

 

 

 

 


Photo courtesy Marine Helicopters Ltd

 

 


Photo Ian Walsh

 

 

 


St David's Light - Bermuda


I could not put back the original, tired looking deck fittings, so all were replaced, and all the chain plates were remade in polished stainless.

In the spring of 2006 the coach roof windows were renewed.

Future projects include veneering the sides of the coach roof to return her to the finish she had when first built. Perhaps we could go faster with a new rig…………..